Community Programs
artists in classrooms
For registration information,
please contact:

Terry Gerald,
Office Administrator
Email: terry@angelsgateart.org

If you are interested in teaching classes or workshops,
please contact:

Amy Eriksen
Director of Education
Email: amy@angelsgateart.org

Phone: 310-519-0936
Fax: 310-519-8698

Office Hours:
Monday - Friday, 9 am - 5 pm

Angels Gate Cultural Center Printmaking Studio Services
Classes and Workshops
Printmaking Survey with Emphasis on Non-Toxic Processes
Tuesdays 10 am - 12:30 pm
10 weeks $220 + $30 materials fee
September 16 - November 18, 2014

Section 1 - Monotype, Sep 16 - 30
($90 + $10 materials fee)
Section 2 - Relief, Oct 7 - 21
($90 + $10 materials fee)
Section 3 - Etching, Oct 28 - Nov 18
($100 + $10 materials fee)
Building E

Printmaking survey will cover traditional printmaking techniques of monotype, relief and etching. Over a period of ten weeks students are introduced to each technique and provided training and assistance with designing and producing their own original artwork. Our small class size allows for extra assistance for those who are new to printmaking, while advanced printmakers can further their practice with ample, assisted access to our presses and specialized tools.

Monotype, known as the painterly print is immediate and lends itself to spontaneity and experimentation due to its simple nature where prints are achieved by "painting" onto a flat plate and then printing the imagery onto paper with the use of a printmaking press. We will cover "viscosity" methods, subtractive monotype as well as the use stencils and masks.

Woodcut relief printmaking is accomplished when artists carve away negative printing areas from a piece of birch plywood. What is left of the surface is inked and the imagery is then printed onto paper by way of the printmaking press. Woodcuts have a classic graphic-look that make use of a variety of textures created by carving into wood with chisels. Students will learn carving and printing techniques as well as multi-block printing and registration.

Finally students will learn the method of copper plate etching. A process that involves "etching" or burning a variety of line work into a copper surface. The versatile nature and range of mark-making possibilities makes this technique a favorite among printmakers; for this reason, we offer a final four-week session to cover line etching, aquatint, soft ground and sugar lift.

Registration Form - Printmaking

screen printing



Bookbinding I - Pamphlets and Softcovers
Thursdays, 10:00 am-12:30 pm
Sept 4, 11, 18, 25
Building E

$100 + $15 materials fee ($175 + $30 materials fee for bookbinding I & II)
This class will focus on the much under appreciated world of paperbacks and softcovers. Beginning by working with papers of various weights, textures and patterns to create simple yet stunning structures like one page instant books, and moving into learning some beautiful stitch patterns through making a soft leather or faux leather traveller's journals and an open spine paperback. Some experience welcome but not necessary.

Instant books and 1 page accordions
Pamphlets & dos-a-dos
Butterfly long stitch with half kettle
French link paperback

Bookbinding II - Open Spine Hardcovers
Wednesdays, 10:00 am-12:30 pm
Oct 29th, Nov 5, 12, 19
Building E

$100 + $15 materials fee ($175 + $30 materials fee for bookbinding I & II)
Open spine hardcovers are appealing not only for the gorgeous decorative spines, but as they lay flat, they make fantastic sketchpads. This class will focus on the long stitch using tapes as both a design element and for added spine strength, and fun variation on the coptic stitch. Each student will walk away with a minimum of two hardcover journals and a slew of inspiration for future coptic and long stitch books!



Exploring Japanese Bindings
Saturday, 10-6
October 11, 2014
Building E

$100 + $15 materials fee
In this class we will spend a day focusing on the traditional Japanese stab stitch binding, from the most basic four hole design to the decorative hemp leaf and tortoise shell designs. Students of all experience levels will learn the basics of making a punching template, measuring and sewing, and will make 2-3 stab stitch books of varying sizes. Beginners welcome!

Four hole Japanese binding
Hemp leaf stitch
Tortoise shell stitch

Upcycled Books for Every Occasion
Saturday, 10-6
October 25, 2014
Building E

$100 + $15 materials fee
Get green and learn a variety of bookbinding techniques. In this workshop, we will cover the basics of measuring, cutting, folding and sewing books, while starting to think not only about fun ways to up cycle packaging, ways to think of combining form and function in complementary ways. Great for all skill levels!

Seed packet gardening notebook
Post card coptic journal
Cake box recipe book

Mini-Book Extravaganza
Saturday, 10-6
November 8, 2014
Building E

$100 + $15 materials fee
This workshop was designed with the upcoming gift-giving season in mind, and will provide an opportunity for those new to bookbinding learn some basic techniques while providing the more experienced bookbinder an opportunity to translate their skills to a smaller scale. We will focus on three book structures throughout the day, so that you can create as many books as your heart desires (hint: great stocking stuffers)

Match book notebook
Playing card stab stitch
Mini accordion book



Registration Form - Printmaking


Moku Hanga Workshop
September 27, 2014
Building E

Students will learn the basics of Moku Hanga or Japanese Woodcut, a traditional woodcut printing technique that is capable of producing a wide variety line qualities, tones and layers in multiple. Moku Hanga utilizes water-based pigment and hand-printing with a baren onto washi, Japanese paper made from Mullberry. The use of these basic materials in Moku Hanga printing makes this technique non-toxic.

$120 + $10 material fee.

Registration Form - Printmaking



Screen Print Workshop (Silkscreen)
Saturday 10am - 6pm
One day workshop, $100 + $10 materials fee
October 4, 2014
Building E

The screen printing workshop is a day long orientation to versatile photographic screen printing. The objective is to learn how to properly prepare and expose a screen in the sun, then register and print and 2-3 color image on a variety of surfaces. Over the course of a weekend we will complete a screen print project, while discussing the techniques and tools involved.

For inquiries on Printmaking Classes, please contact our Community Programs Administrator, Terry Gerald: terry@angelsgateart.org or 310-519-0936

To register for printmaking classes please fill out the following form and send it with payment to:
Attn: Terry Gerald
Angels Gate Cultural Center
3601 South Gaffey Street, Box #1
San Pedro, CA 90731

Registration Form - Printmaking



Solar Plate Workshop
Saturday 10am - 6pm
One day workshop, $100 + $10 materials fee
November 8, 2014
Building E

The solar plate workshop is a day long orientation to photopolymer plate techniques including intaglio and relief methods. Students will learn solar plate processing and printing while creating their own original prints. This medium allows for the combination of photographic and traditional printmaking processes, great for photographers looking for a new way to present their images.

For inquiries on Printmaking Classes, please contact our Community Programs Administrator, Terry Gerald: terry@angelsgateart.org or 310-519-0936

To register for printmaking classes please fill out the following form and send it with payment to:
Attn: Terry Gerald
Angels Gate Cultural Center
3601 South Gaffey Street, Box #1
San Pedro, CA 90731

Registration Form - Printmaking

screen printing

Open Shop (with tech assistance)
Second Friday of every month 1-6pm
Building E

To offer students the chance to further practice the techniques learned in any of our classes, we are opening the Print Studio on the 2nd Friday of the month. Open shop will consist of assisted work time as well as use of shop tools and selected materials. We require that you have previously been or are currently enrolled in an Angels Gate print studio class.

$30 + $5 material fee.

Registration Form - Printmaking

screen printing

Fully equipped printmaking studio for intaglio, relief, monotype, and silkscreen printing.

Master Printing Services:
Work closely with our master printer to create limited editions of your prints - this service is for artists who desire to create limited editions of prints, but do not necessarily possess the printmaking expertise needed, or are not interested in the technical side of printmaking. The close collaboration with our master printer includes discussion of artist's vision for the desired print, the most suitable printmaking technique is identified, followed by platemaking, and subsequently proofing, and printing the limited edition. We work with emerging, as well as well established artists. Our studio has produced prints with artists such Hirokazu Kosaka, Peter Liashkov, Betsy Lohrer Hall, Jennifer D. Anderson, Carol Es - just to mention a few.

Studio Rental:
This is a service we offer to artists who wish, and are able to work independently in the studio. After introductory training session, the studio can be rented on monthly, daily, and hourly bases.

Workshops and Seminars for Groups and Individuals:
If you want to sample what printmaking has to offer, or if you want to focus on one technique only, we are here to help - work with our experienced instructors in safe, and well-equipped printmaking studio.

About the Studio
print shop

Presses:
  • Japanese Etching Press with a set of 3 printing blankets (pusher, cushion, catcher) - pressbed size: 51" x 27"
  • Electric Press with a set of 3 printing blankets (pusher, cushion, catcher) - pressbed size: 48" x 25"
  • Lithographic Press - pressbed size: 58" x 33" - complete with set of press bars: 12", 14", 16", 18", 21" and 23"
Screenprinting Equipment:
  • 7 screens - size: 26" x 36"
Screenprinting squeegees:
  • one 6", one 10", one 29" squeegee
  • three 22" squeegees
  • 2 emulsion coaters - size 14"
  • Screenprinting table with clamps
print shop

Paper Preparation Equipment:
  • Paper preparation table 92" x 48"
  • Paper cutter: 25" x 25"
  • 30" Stainless steel tear bar
  • 2 Aluminum 48" rulers
  • 4 scissors
  • Paper soaking tub: 26" x 31"
  • Blotting area with set of blotting towels
Inking Areas:
  • Large glass inking area: 36" x 36'
  • 2 glass inking areas: each 32" x 20"
  • 2 portable glass inking areas: each 34" x 22"
  • marble inking slab: 37" x 21"
print shop

Tools, and other useful things:
  • 8 palette knives
  • 2 razor blade scrapers with razor blades (for clean up)
  • Stiff tarlatan for wiping intaglio plates
Brayers and Rollers:
  • five 2" brayers
  • five 3" brayers
  • three 4" brayers
  • three 6" brayers
  • one 18" roller with wooden stand
  • two 24" litho rollers with wooden stand
print shop

Plate Preparation Tools:
  • 2 files for beveling
  • 4 sets of clamps with protective coating
  • sharpening stone
  • 2 small scrapers
  • 2 small burnishers
  • 1 etching needle
  • 1 electric dremmel tool
Etching:
  • 2 vertical etching tanks for etching copper - 27" x 24" (currently without etching solution)
  • 1 flat etching tub with lid - 9" x 7" (with ferric chloride for etching copper)
  • 1 Aquatint Box
  • 1 Hot plate
Materials for clean-up:
  • paper towels, spray bottles, rags, telephone books, newspaper, cleaning supplies
print shop Paper drying areas and storage:
  • Drying Rack - 50 shelves - size:48" x 32"
  • 9 Print Drying Boards - size: 48" x 32"
  • 10 Flat files: 48" x 53"
  • 10 Flat files: 44" x 35"
  • Storage shelves and drawers.
Other work areas:
  • 3 tables - 48" x 31", 48" x 29", 48" x 30"
  • Chairs
The studio has access to hot and cold water, to bathroom and to electricity.

For more information please contact Terry Gerald:
Email: terry@angelsgateart.org

print shop



Copyright © 2013 Angels Gate Cultural Center.
All rights reserved.