Exhibitions - 2015
Past Exhibitions - 2014
Past Exhibitions - 2013:
Gettin' off the Ground:
Contemporary Stories from
an American Community
Out of the Blue
Michele Martínez

May 12 - Jan 10, 2014

The Family Room
Oct 27 - Jan 10, 2014

Picking Up the Pieces: A Suicide Prevention Project
Oct 27 - Jan 10, 2014

What We See
Oct 27 - Jan 10, 2014

Whats Alive In You
May 12 - Aug 2, 2013

Shared Skies
Kim Abeles

Jan 27 - Apr 26, 2013

The Wreck
Anna Chiaretta Lavatelli

Jan 27 - Apr 26, 2013

Searchin': Los Angeles and the Quest for the Sublime
Curated by Mary Coyne

Jan 27 - Apr 19, 2013

Los Angeles National Forest
Keith Rocka Knittel

Jan 27 - Apr 19, 2013

Free Water: Wilderness and Infrastructure
Eloisa Guanlao

Jan 20 - Mar 8, 2013

Forest, For The Trees
curated by Heather Hoggan

Jan 20 - Mar 8, 2013

Copyright © 2013 Angels Gate Cultural Center.
All rights reserved.
Searchin': Los Angeles and the Quest for the Sublime
Thomas Altheimer, Kevin Cooley, Zoe Crosher, Aaron Giesel, Mara de Luca, Cody Trepte, Erika Yoemans

Curated by Mary Coyne

January 27 - April 19, 2013

Kevin Cooley, "Primary Forces" Devil's Churn (video still), 2010 image courtesy of the artist and Kopeikin Gallery

Searchin' is an exhibition that considers contemporary, critical engagements with the theoretical sublime. Inspired by 70s Californian conceptual artist Bas Jan Ader's project, In Search of the Miraculous, the contemporary artists whose work makes up this exhibition re-examine his quest for the sublime and through it, launch their own journeys into the wilderness.

Emmanuel Kant's definition of and writings on the sublime in his Critique of Pure Reason (1790), created a methodology for humanknowledge of the limits of our imagination. While never equated with nature, the unfathomable expanse of the ocean or seemingly unconquerable mountain peaks became signifiers, even metaphors for the un-representable sublime.

In the nineteenth century, appreciation for nature and the wilderness was caused in part by the industrial revolution and westward expansion's threats to its very existence. As the mechanical revolution gained steam, the power of man defined human existence, we continually sought the attainment of something greater that could, by definition not be constructed, controlled, or even defined.

Ader was deeply aware of the relationship that we have to romantic ideas like the sublime. His series of photographs, In Search of the Miraculous (One Night in Los Angeles) (1973) records his pedestrian nocturnal journey through the city as he traversed from Hollywood to the Pacific. The images of Ader, alone in a city of millions, his shadowy figure juxtaposed against the vast urban lights, and,perhaps most eloquently, the artist's fatal disappearance at sea in 1975, simultaneously maintain a persistence of these seemingly timeless concepts with a postmodern criticality of their existence.

The artists of Searchin' continue Bas Jan Ader's quest for the sublime. By partaking on his romantic journey in the context of 70s Los Angeles, Ader permitted contemporary artists to engage in, as opposed to automatically dismiss, historically modernist notions. They look for the meaning inherent in their own existence, in the city in which they live, and the vastness of the unknown that defines it and them. Some follow Ader's footsteps, or re-trace his paths, not in an illusionary attempt to succeed where he failed but as a process, a re-visitation of a myth of which the original artist is now a part. They enact Ader's quest through their own searches, deconstructing his process and discovering the truths still inherent in his search for the miraculous. Others discover new sites within the Los Angeles area that beckon something greater, moments that simultaneously capture the city and transcend it. Alternative signifiers of the sublime are broached, its foreboding, danger and at times tragedy are brought to the fore, even as the everyday is considered as an equally likely subject for such a dialogue. The artists of Searchin' look for the meaning inherent in their own existence, in the city in which they live and the vastness of the unknown that defines it and them. They stand on a cliff at the edge of a wilderness and consider whether or not to leap.


Mary Coyne is an emerging curator from the Los Angeles area. She is interested in the intersections between contemporary art, theory and performance. Her curatorial goals are to create thoughtful juxtapositions in the ambition of sparking a meaningful artistic dialogue. Mary holds a Bachelor's degree in Art History with a minor in Italian from the University of Southern California. She is finishing her Master's program in Art History with an emphasis in Museum and Curatorial Studies at California State University, Long Beach.

la dept of cultural affairscoastal san predro neighborhood councilcentral san pedro neighborhood council
This exhibition is sponsored in part by the City of Los Angeles Department of Cultural Affairs, Coastal San Pedro Neighborhood Council, and the Central San Pedro Neighborhood Council.